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Highest quality Langridge Refined Linseed Oil used as a medium for oil colours. Increases gloss and transparency. Adds a soft, ‘slippery’ quality ...
View full detailsA Langridge Glaze Medium that gives oil colours increased translucency. Perfect for the creation of optical depth and soft suffusions of colour. U...
View full detailsLangridge Oleogel is an innovative and solvent-free gel that transitions from a thick, viscous medium to a fluid one when applied with strong brus...
View full detailsLangridge Impasto Medium is incredibly thick gel medium for adding to oil colours for extra ‘body’ without altering colour with which it’s mixed. ...
View full detailsLangridge Low Toxic Painting Medium fluid medium for improved paint handling. Reduces exposure to harmful solvents. Perfect for wet on wet techniq...
View full detailsLangridge Safe Clean Up is a solvent-free, non-toxic cleaner formulated to safely and effectively remove oil, acrylic, watercolour, varnish, shella...
View full detailsLangridge Wax Painting Paste is thick, smooth, and buttery consistency. Langridge Wax Painting Paste is highly stable impasto medium; extending pa...
View full detailsLangridge Refined Safflower Oil with a minimal tendency to yellow. High linoleic acid value for good drying rate compared to cold-pressed varietie...
View full detailsThe healthier alternative! Archival Odourless Mediums and Solvents evaporate much more slowly than turpentines, resulting in a minimum of vapour du...
View full detailsThe healthier alternative! Archival odourless mediums and solvents evaporate much more slowly than turpentines, resulting in a minimum of vapour du...
View full detailsLangridge Low Toxic Painting Medium fluid medium for improved paint handling. Reduces exposure to harmful solvents. Improves paint handling for th...
View full detailsLangridge Oil Glazing Gel has a fast drying capacity, damar resin based medium giving lasting brilliance and luminosity when mixed with oils colou...
View full detailsLangridge Cold Pressed Linseed Oil used as a traditional binder for grinding oil colours. When used to mill oil colours or mixed with prepared col...
View full detailsSiccative made with cobalt octoate. Langridge Cobalt Driers acts as a surface drier for all oil colours and mediums. Use sparingly as its overuse ...
View full detailsFree-flowing medium for oils that improves paint handling. Quickly dries to a tack but remains fresh so that it may still be painted into. Perfect...
View full detailsAdded to oil colours to increase flow. Very pale and non-yellowing Safflower oil based medium. Keeps a ‘slippery’ and wet quality to paint, allowi...
View full detailsA quick-drying, transparent, painting and glazing medium. Art Spectrum No.4 Medium Liquol is an alkyd medium and is extremely popular because of it...
View full detailsThe leanest medium. Ready to use straight from the container. Dries overnight, depending on climate and thickness of paint application. Often an ex...
View full detailsLangridge Stand Oil is a non-yellowing oil for use in all oil mediums.Thick and honey-like oil, it will give enamel-like qualities to paint. Langr...
View full detailsLangridge Underpainting Medium to be used for the ‘first-sketch’ in painting. Low oil content for rapid drying, minimising chances of cracking whe...
View full detailsThe healthier alternative! Archival Odourless Mediums and Solvents evaporate much more slowly than turpentines, resulting in a minimum of vapour du...
View full detailsA medium fat. It is slower drying than Art Spectrum® Medium No. 1, as it contains more oil, and used as the next fattest medium in the sequence of ...
View full detailsIncredibly Langridge Calcium Driers for adding to oil colours for extra ‘body’ without altering colour with which it’s mixed. Slightly thixotropic...
View full detailsA matte version of Langridge Matte Medium for adding fluidity and improve paint handling. It quickly dries to a tack but remains fresh so that it ...
View full detailsLangridge Isolating Medium is a non-reversible, oil-based medium formulated to even-out the reflective finish of the painting prior to varnishing....
View full detailsLangridge Cold Pressed Safflower Oil preferred for preparing delicate colours, particularly whites and blues where the yellowing of linseed oil is...
View full detailsThe fattest medium. Art Spectrum® Medium No. 3 is a thicker, more slow-drying medium than Art Spectrum® Paint Medium No. 2. It is for painters who ...
View full detailsA very low odour alternative to the ‘traditional’ Art Spectrum® Medium No.1, with similar properties and applications. The difference is that Art S...
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