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Highest quality Langridge Refined Linseed Oil used as a medium for oil colours. Increases gloss and transparency. Adds a soft, ‘slippery’ quality ...
View full detailsCompletely odourless iso-paraffinic solvent. Permissible exposure Level is at least 3 times higher than alternative traditional solvents. Ideal tu...
View full detailsA Langridge Glaze Medium that gives oil colours increased translucency. Perfect for the creation of optical depth and soft suffusions of colour. U...
View full detailsCold-pressed walnut oil is filtered with no additional treatment. It yellows less than linseed oil. It is closer in drying time to poppy oil than ...
View full detailsNatural diluent and solvent for oil colours and varnishes. Distilled from the resin of tapped Gum Thus Pine. Unlike petroleum distillate based sol...
View full detailsThis is the lowest toxicity art solvent available, recommended for a safer studio environment. Solvent 75 is constructed from 100% pure, highly re...
View full detailsEconomical all purpose solvent. Ideal for cleaning brushes as it has a strong detergent action. Has a distinctive petroleum smell. Over-use will m...
View full detailsLangridge Low Toxic Painting Medium fluid medium for improved paint handling. Reduces exposure to harmful solvents. Perfect for wet on wet techniq...
View full detailsLangridge Refined Safflower Oil with a minimal tendency to yellow. High linoleic acid value for good drying rate compared to cold-pressed varietie...
View full detailsLangridge Low Toxic Painting Medium fluid medium for improved paint handling. Reduces exposure to harmful solvents. Improves paint handling for th...
View full detailsLangridge Cold Pressed Linseed Oil used as a traditional binder for grinding oil colours. When used to mill oil colours or mixed with prepared col...
View full detailsFor oil and acrylic painting. Apply with a clean cloth and polish to desired finish. Dries naturally to a matt reflection but may be buffed to a s...
View full detailsFree-flowing medium for oils that improves paint handling. Quickly dries to a tack but remains fresh so that it may still be painted into. Perfect...
View full detailsAdded to oil colours to increase flow. Very pale and non-yellowing Safflower oil based medium. Keeps a ‘slippery’ and wet quality to paint, allowi...
View full detailsSiccative made with cobalt octoate. Langridge Cobalt Driers acts as a surface drier for all oil colours and mediums. Use sparingly as its overuse ...
View full detailsLangridge Underpainting Medium to be used for the ‘first-sketch’ in painting. Low oil content for rapid drying, minimising chances of cracking whe...
View full detailsLangridge Stand Oil is a non-yellowing oil for use in all oil mediums.Thick and honey-like oil, it will give enamel-like qualities to paint. Langr...
View full detailsSolvent for shellac and other alcohol soluble resins.Solvent for Spirit Dyes. 100% grade is completely water free thus reducing risks of blooming ...
View full detailsLangridge's line of mediums have been formulated for the widest range of contemporary applications. Selected and manufactured to excel in both han...
View full detailsA matte version of Langridge Matte Medium for adding fluidity and improve paint handling. It quickly dries to a tack but remains fresh so that it ...
View full detailsLangridge Isolating Medium is a non-reversible, oil-based medium formulated to even-out the reflective finish of the painting prior to varnishing....
View full detailsUsed both as a final varnish and as a constituent of artists’ oil and egg tempera mediums.Dries hard and clear. Highest quality resin clarified be...
View full detailsLangridge Cold Pressed Safflower Oil preferred for preparing delicate colours, particularly whites and blues where the yellowing of linseed oil is...
View full detailsIncredibly Langridge Calcium Driers for adding to oil colours for extra ‘body’ without altering colour with which it’s mixed. Slightly thixotropic...
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